This volume examines the transformations of religion within the postmodern condition, beginning with the crisis of metanarratives, universal systems of legitimation, and traditional forms of belonging. From this perspective, secularization does not entail the disappearance of religion, but rather its reconfiguration into fragmented, fluid, individualized, and performative experiences that may develop outside established religious institutions. Adopting a historical-comparative and interdisciplinary approach, the chapters investigate the processes through which myths, rituals, symbols, and practices are created, adapted, and experienced across different areas of contemporary culture. The first section, devoted to the construction of religion, discusses the concepts of postmodern and hyperreal religion, the sacramentalization of psychedelic substances within the American counterculture, the encounter between jazz and Neo-Hinduism, the religious roots of American democracy, and the new forms of digital religion emerging through artificial intelligence and immersive environments. The second section focuses on concrete expressions of lived religion, including Jack Kerouac’s engagement with Buddhism and the Beat Generation, contemporary Paganism and the search for a Proto-Indo-European homeland, the sacralization of Diego Armando Maradona, and the reinterpretation of rites of passage in television talent shows. Taken together, the essays demonstrate how postmodern religion develops through hybridizations involving inherited traditions, popular culture, consumption, sport, music, politics, and digital technologies. The sacred does not disappear; rather, it changes its languages, media, and spaces of manifestation, increasingly emphasizing experience, embodiment, visuality, participation, and the formation of fluid communities. The volume therefore offers a pluralistic interpretation of contemporary religion, highlighting both the persistence of mythical and ritual structures and their profound reconfiguration within postmodern culture.
Il volume analizza le trasformazioni del religioso nella condizione postmoderna, muovendo dalla crisi delle metanarrazioni, dei sistemi universali di legittimazione e delle forme tradizionali di appartenenza. In questa prospettiva, la secolarizzazione non coincide con la scomparsa della religione, ma con la sua ricomposizione in esperienze frammentarie, fluide, individualizzate e performative, capaci di svilupparsi anche al di fuori delle istituzioni confessionali. Attraverso un approccio storico-religioso e interdisciplinare, i contributi esplorano i processi mediante i quali miti, riti, simboli e pratiche vengono creati, adattati e vissuti in ambiti differenti della cultura contemporanea. La prima parte, dedicata alla costruzione del religioso, affronta le categorie di religione postmoderna e iperreale, la sacramentalizzazione delle sostanze psichedeliche nella controcultura statunitense, l’incontro tra jazz e neoinduismo, le radici religiose della democrazia americana e le nuove configurazioni della digital religion prodotte dall’intelligenza artificiale e dagli ambienti immersivi. La seconda parte analizza alcune forme concrete di religione vissuta: il buddhismo di Jack Kerouac e della Beat Generation, il paganesimo contemporaneo e la ricerca dell’origine protoindoeuropea, la sacralizzazione di Diego Armando Maradona e la rielaborazione del rito di passaggio nei talent show. Nel loro insieme, i saggi mostrano come il religioso postmoderno si sviluppi attraverso contaminazioni tra tradizioni, cultura popolare, consumo, sport, musica, politica e tecnologie digitali. Il sacro non scompare, ma cambia linguaggi, supporti e luoghi di manifestazione, privilegiando l’esperienza, il corpo, l’immagine, la partecipazione e la costruzione di comunità dai confini mobili. Il volume propone così una lettura pluralistica della religione contemporanea, evidenziando la continuità delle strutture mitico-rituali e, al tempo stesso, la loro profonda riconfigurazione nell’universo culturale postmoderno.
Deus Vobiscum? Esperienze religiose del postmoderno
Antonio Salvati
;
2025-01-01
Abstract
This volume examines the transformations of religion within the postmodern condition, beginning with the crisis of metanarratives, universal systems of legitimation, and traditional forms of belonging. From this perspective, secularization does not entail the disappearance of religion, but rather its reconfiguration into fragmented, fluid, individualized, and performative experiences that may develop outside established religious institutions. Adopting a historical-comparative and interdisciplinary approach, the chapters investigate the processes through which myths, rituals, symbols, and practices are created, adapted, and experienced across different areas of contemporary culture. The first section, devoted to the construction of religion, discusses the concepts of postmodern and hyperreal religion, the sacramentalization of psychedelic substances within the American counterculture, the encounter between jazz and Neo-Hinduism, the religious roots of American democracy, and the new forms of digital religion emerging through artificial intelligence and immersive environments. The second section focuses on concrete expressions of lived religion, including Jack Kerouac’s engagement with Buddhism and the Beat Generation, contemporary Paganism and the search for a Proto-Indo-European homeland, the sacralization of Diego Armando Maradona, and the reinterpretation of rites of passage in television talent shows. Taken together, the essays demonstrate how postmodern religion develops through hybridizations involving inherited traditions, popular culture, consumption, sport, music, politics, and digital technologies. The sacred does not disappear; rather, it changes its languages, media, and spaces of manifestation, increasingly emphasizing experience, embodiment, visuality, participation, and the formation of fluid communities. The volume therefore offers a pluralistic interpretation of contemporary religion, highlighting both the persistence of mythical and ritual structures and their profound reconfiguration within postmodern culture.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


