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"Si tout sujet est portrait” : figurations du moi dans Le Monde désert de Jouve et La Mort difficile de Crevel

Annalisa Lombardi
2015-01-01
2015
Francese (Altre)
Anna Soncini ; Fulvia Balestrieri ; Andrea Guiducci ; Annalisa Lombardi
Anna Soncini, con la collaborazione di Fulvia Balestrieri, Andrea Guiducci, Annalisa Lombardi
UNIVERSITARIAE
Récit et peinture. Narration and painting.
STAMPA
89
115
27
978-88-6680-153-5
https://www.ilibridiemil.it/index.php?main_page=product_book_info&products_id=740&zenid=ar8fl88st25gm3o69pmffl0co6
Odoya
Bologna
ITALIA
Esperti anonimi
The analysis of two novels from the 1920s selected as emblematic cases – Le Monde désert by Jouve and La Mort difficile by Crevel – leads the author to point out the connections between the figuration of the subject in literature and the portrait in painting. Indeed, the survival of the portrait itself as a pictorial genre can be seen as a sign of its involvement in the enquiry of identity and subjectivity. This article describes the three main axes that organise subjectivity as a portrait: the fluctuation between stasis and movement, the relational dimension and the fictional one. The portrait becomes the ideal model of a subject conceived as the result of a creative process. Hence, painting is not to be considered a mere narrative theme but a key to the interpretation of the novels and a metaphor of the construction of the subject.
Crevel, Jouve, sujet, figuration, portrait, roman moderniste, personnage
2 Contributo in Volume::2.1 Contributo in volume (Capitolo o Saggio)
1
268
none
Lombardi, Annalisa
info:eu-repo/semantics/bookPart
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11389/63347
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