This article examines the sacralization of Diego Armando Maradona and the development of the cult of D10S as expressions of popular and postmodern religiosity. Beginning with the mythical construction of the pibe—a central figure in the Argentine imagination associated with talent, transgression, social redemption, and the ability to turn defeat into victory—the study traces Maradona’s transformation from sporting hero into a global religious icon. Particular attention is devoted to the Maradonian Church, founded in Rosario in 1998, through an analysis of its liturgical calendar, mythical framework, pilgrimage sites, prayers, commandments, and rites of initiation, marriage, and commemoration. Although it creatively and sometimes parodically reworks forms derived from Christianity, the cult possesses a coherent symbolic and ritual system capable of generating belonging, shared memory, and collective identity. The phenomenon is situated within the decline of institutional religious practice and the simultaneous “re-enchantment” of society, especially in contexts marked by economic vulnerability, social marginality, and political crisis. Maradona consequently takes on the features of a popular saint who is close, human, and accessible, embodying fragility, suffering, and social redemption. The Maradonian cult may therefore be interpreted as an autonomous form of popular religion that remains in constant dialogue with the Catholic imagination and expresses a religiosity based more on proximity, participation, and the salvation of the self than on a universal eschatological project.
Il contributo analizza il processo di sacralizzazione di Diego Armando Maradona e la formazione del culto del D10S, interpretandoli come espressioni della religiosità popolare e postmoderna. A partire dalla costruzione mitica del pibe, figura centrale dell’immaginario argentino fondata su talento, trasgressione, riscatto sociale e capacità di trasformare la sconfitta in vittoria, lo studio ricostruisce il passaggio del calciatore da eroe sportivo a icona religiosa globale. Particolare attenzione è dedicata alla Iglesia Maradoniana, fondata a Rosario nel 1998, della quale vengono esaminati il calendario liturgico, l’apparato mitico, i luoghi di pellegrinaggio, le preghiere, i comandamenti e i riti di iniziazione, matrimonio e commemorazione. Pur impiegando in modo creativo e talvolta parodico forme derivate dal Cristianesimo, il culto presenta un sistema simbolico e rituale coerente, capace di produrre appartenenza, memoria condivisa e identità collettiva. L’analisi colloca il fenomeno nel contesto della riduzione della pratica religiosa istituzionale e del contemporaneo “reincantamento” delle società, soprattutto in situazioni segnate da vulnerabilità economica, marginalità e crisi politica. Maradona assume così i tratti di un santo popolare vicino, umano e accessibile, nel quale fragilità, sofferenza e riscatto si fondono. Il culto maradoniano può pertanto essere interpretato come una forma di religione popolare autonoma ma in costante dialogo con l’immaginario cattolico, espressione di una religiosità fondata più sulla prossimità, sulla partecipazione e sulla salvezza del sé che su una prospettiva escatologica universale.
Diego Armando Maradona e il culto del D10S: 1960-∞
Antonio Salvati
2025-01-01
Abstract
This article examines the sacralization of Diego Armando Maradona and the development of the cult of D10S as expressions of popular and postmodern religiosity. Beginning with the mythical construction of the pibe—a central figure in the Argentine imagination associated with talent, transgression, social redemption, and the ability to turn defeat into victory—the study traces Maradona’s transformation from sporting hero into a global religious icon. Particular attention is devoted to the Maradonian Church, founded in Rosario in 1998, through an analysis of its liturgical calendar, mythical framework, pilgrimage sites, prayers, commandments, and rites of initiation, marriage, and commemoration. Although it creatively and sometimes parodically reworks forms derived from Christianity, the cult possesses a coherent symbolic and ritual system capable of generating belonging, shared memory, and collective identity. The phenomenon is situated within the decline of institutional religious practice and the simultaneous “re-enchantment” of society, especially in contexts marked by economic vulnerability, social marginality, and political crisis. Maradona consequently takes on the features of a popular saint who is close, human, and accessible, embodying fragility, suffering, and social redemption. The Maradonian cult may therefore be interpreted as an autonomous form of popular religion that remains in constant dialogue with the Catholic imagination and expresses a religiosity based more on proximity, participation, and the salvation of the self than on a universal eschatological project.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


